No example highlights this point more clearly than the Faenza Codex (FaenBC ; henceforth Faenza), an Italian manuscript containing the largest surviving. cerning the instrument(s) for which the Faenza Codex was intended: van den Borren thought it was for two instruments, although he did not specify which; two. KEYBOARD MUSIC OF THE 14TH CENTURY tents of the Faenza codex, on the limited basis of Roncaglia’s descrip- tion. Incomplete as this description.

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Codex Faenza – Wikipedia

The modern rediscovery produced an extraordinary rich literature, focused mainly on the style and possible instrumentation of the repertoire and on the identification of its vocal models. Codex Faenza, Non ara may pieta questa mia dona Landini. Codex Faenza, Le ior Machaut.

Codex Faenza, Hont, paour, doubtance Machaut.

More Info A small, unadorned parchment booklet, the manuscript of the Biblioteca Comunale Manfrediana in Faenza encloses codsx stunning quantity and unique quality of information on 14th- and 15th-century Italian musical culture.

Codex Faenza Codex Faenza, Jay grant espoir. Except for a direct copy made by Giovanni Battista Martini insix of the theoretical entries and as many as eighteen of the polyphonic compositions added by Bonadies are unique in Codex Faenza; and, perhaps more importantly, none of the fifty intabulations of the earlier layer survives in any other source.

Faejza Faenza, Elas mon cuer Bologna. The manuscript is still held at fzenza Biblioteca Comunale di Faenzanear Ravennabut facsimiles are held in other libraries in Italy and overseas.


Codex Faenza, Aquila altera Bologna.

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Privacy Terms and conditions. This article about a music publication is a stub. This article does not cite any sources. The all-time greats Read about the artists who changed the world of classical music. The Codex Faenza Faenza, Biblioteca Comunale abbreviated as ” I-FZc “, and sometimes known as Codex Bonadiesis a 15th-century musical manuscript containing some of the oldest preserved keyboard music along with additional vocal pieces.

Codex Faenza, Hont paur Machaut. The Codex is composed of two distinct and independent copying layers. Instrumental Polyphony in Late Medieval Italy. Unsourced material may be challenged and removed. II, Facsimile edition, pp.

You can help Wikipedia cldex expanding it. I, Introductory study, pp. This product is no longer in stock. A small, unadorned parchment booklet, the manuscript of the Biblioteca Comunale Manfrediana in Faenza encloses a stunning quantity and unique quality of information on 14th- and 15th-century Italian musical culture.

The younger layer is an autograph by the Carmelite friar Johannes Bonadies, who in and used empty folios to add 16 music ffaenza treatises, summaries or tables, and 22 mid- or late-fifteenth-century polyphonic settings, mostly composed by John Hothby, Bernardus Daenza, and Johannes de Erfordia, aside with some anonymous settings and a short Kyrie by Bonadies himself. Views Read Edit View history. Again, this makes sense from the point of view of programming, but it also allows a fine cast of singers to make the most of this music.

Pieza secular en italiano. Year ISBN Retrieved from ” https: The works of the manuscript are detailed below. Gramophone’s expert reviews easier than ever before. Medieval music manuscript sources.


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Codex Faenza (Various)

Whether you want to see what we think ckdex today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. The principal aim of raenza present study, therefore, is to supply the first full-colour photographic reproduction of Codex Faenza with a general reconsideration of its historiography, and with codx in-depth codicological analysis of the source.

The Codex Faenza is one of the few remaining sources for instrumental music at the turn of the fifteenth century. August Learn how and when to remove this template message. They comprise diminished versions of Italian and French songs by some of the major composers of the 14th and early 15th centuries, Jacopo da Bologna, Bartolino da Padova, Francesco Landini, Antonio Zacara faenaz Teramo, Guillaume de Machaut, and Pierre des Molins, as well as polyphonic estampies and diminutions on dance-related and liturgical tenors, including the three earliest alternatim mass-pairs that have come down to us.

Nuova serie, 3 Size A previous anthology centred on this collection, from the Ensemble Organum, appeared nearly ten years ago on Harmonia Mundi.

Codex Faenza

Codex Faenza, Untitled I. Codex Faenza, Jay grant espoir. Add to my wishlist.

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